Selected Publications

“The Map of the City of Batum,” by N. M. Dakishevich, 1887-1889, The State Archives of Adjara, Batumi, f.6, o.1, d.99, l.3

[01]
“Building the ‘Russian’ South Caucasus” in Handbook of the Modern History of the Caucasus, eds. Stefan Kirmse and Naira Sahakyan (forthcoming).

[02]

“Lost in Translation?: Property and Empire Building in the Russian South Caucasus,” in Lines of Property, eds. Claire Zimmerman, Peter Christensen, and Lisa Haber Thomson (forthcoming, 2026).

Rusya: Osmanlı-Rus Harbi: Kars'ta abide-i zafer [Russia: The Ottoman-Russian War, The victory monument in Kars], Kars, 1911. Photograph. The Directorate of State Archives of the Presidency of the Republic of Turkey, HR. SYS 1229/8.

[03]

“Replacing Property: The Imperial Urban Development of Batum, 1878-1905,” in Off-Center: Architectures of Russian and Soviet Imperialism, eds. Markus Lähteenmäki and Da Hyung Jeong (forthcoming, Leuven University Press, 2026).

“[O]ne-story house with half-timber (Fachwerk) construction in Batum’s Nuriye district on the land [which belongs to] O. N. Benaiev,” 1886, AARSA f. 81, o. 1, d. 37.

[04]

“Calvino Travels to the East: Invisible Cities, Open Architecture, and Orientalism,” in Italo Calvino’s Invisible Cities Around the World: Circulation, Translation and Reception Across Borders, eds. Elio Baldi and Cecilia Schwartz (Routledge, 2024).

[05]

“Homogenizing the Border: Kars after the Pogrom of 1955,” in Art and Architecture of Migration and Discrimination: Turkey, Pakistan, and their European Diasporas, eds. Esra Akcan and Iftikhar Dadi (Routledge, 2024).

Constant, New Babylon, 1961. Collection Het Nieuwe Instituut, archive Academie van Bouwkunst Amsterdam.

Frank van Klingeren, De Meerpaal, Dronten, 1965-67. Undated photo by Jaap Doeser.

[06]

“‘Against the Privatised, the Preconditioned, and the Asylum-like:’ Frank van Klingeren’s Challenge to Open Architecture,” The Journal of Architecture 27, no: 2 (2022): 202–224.

[07]

“Architect of Nothingness: Frank van Klingeren’s Open Architecture,” Footprint 16, no: 2 (2022): 145–156.

[08]

“In the Scale of Nations,” The Canadian Center for Architecture, 2020.

[09]

“Rehearsing the Border: Politics of Spatiality in Contemporary Artworks in Kars and Ani, Turkey,” in Mediating the Spatiality of Conflicts, eds. A. Pilav, M. Schoonderbeek, H. Sohn, and A. Staničić (BK Books, 2020).

[10]

“Bordering on Agoraphilia and Agoraphobia: Artistic Practices on Turkey’s Borderlands,” Peer 5 (2018): 58–68 (co-authored).

[11]

Review of Furnishing Fascism: Modernist Design and Politics in Italy by Ignacio G. Galán (University of Minnesota Press, 2025), Places Journal, 2026.